![]() ![]() "Come Rain or Come Shine" - An All-Weather Etude Playin' the Numbers - A Pentatonic Shape in 12/8 Hey! You've Got an ACE up Your Sleeve! Joe Henderson - Tenor Solo Transcription - "You Know I Care" Some Fresh Air for Your Practice Routine! Getting an Angle - "The Eternal Triangle" Bridge The Daily BoopaDoop - "LuLu's Back in Town" Check Your Connections! - A Multi- Pentatonic Sequence in Minor 3rds Vamp Like a Champ! - ii-V-iii-VI Arpeggiated Sequence "Nutville" - Joe Henderson's Tenor Solo Transcribed NEW Shortbook ™ - "The SUPER 4" - A 4-Note Swiss Army Knife for Improvisers "Coming on the Hudson" - A Johnny Griffin Tenor Saxophone Solo Transcription 'Tis the Season - A Sleigh Ride at 250 BPM A Whole Lotta Sole - Giant Steps 027, sus2, sus4, 125 Flip 4 Real! - Using Mordents in a ii-V7 Melodic Line Pairing Off! Fresh Twist, Familiar Combo Return of the SUPER 4 - A minor ii-V7 Sequence Major/ minor: A Diminished/ Blues Scale Hex-0-Tonic Plus Factor - An Augmented Scale Sequence As a further option, available apps such as Band-in-a-Box, iReal Pro and others allow one to create customized playalongs by typing in chord changes and adjusting key and tempo.Īlthough some familiarity with different recorded versions of these standards will go a long way in the process of “hearing the changes”, it's not necessary to use a playalong in order to work with these etudes.Īs with " Jazzitudes" and " Jazzitudes 2", these 'tudes will most assuredly provide many hours of creative entertainment, challenge and musical growth. ![]() The etudes contained in “ Jazzitudes 3 ” were chosen for their general familiarity, as well as the availability of recorded playalong tracks from publishers such as Jamey Aebersold, Hal Leonard and others. This melodic and rhythmic diversity makes for great sight reading practice, as well. Considerable attention was paid to a line's rhythmic balance and contour by avoiding long stretches of continuous eighth notes with the use of rests and triplets - without sounding contrived. One goal in the creation of these etudes was to have their lines flow and resolve melodically, harmonically and rhythmically - without being too predictable or cliche. ![]()
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